Home Album reviews Album Review: Tantichrist – Tantichrist

Album Review: Tantichrist – Tantichrist

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WITH a solid reputation as an exciting live act, Sydney punks Tantichrist have been building to this release for some time now.

Explosive bursts of swirling surf guitar combined with Nicky Steps’ snarling, unsung vocals give a Dead Kennedys vibe to the opening barrage with tracks like “Thoughts and Prayers” taking aim at shallow insincerities.

The straight up punk attack is a spirited start and a short dose of what can be expected in the latter half of the album, but Tantichrist like to keep it interesting and audiences guessing. After the opening release of anger as an energy, the band changes things up a little.

“AfterImage” takes a different tack as Leigh Hawkins’ jangly bass lays down the foundation for some New Wavish flavour that throws PiL shades. “Learning Deep” goes into more unexpected directions as Yoshi Hausler’s steady beats and Mitch Hertz’s spiralling guitars build to a howling cacophony. “Fight or Fuck” brings that DKs feel back, launching heavily into more socio-political rants like “Fire Sale” and “Frackenstein”.

Tantichrist save perhaps their most scorn for the next-to-last track. “Sad Boys (Need Loving Too)” is a withering, sarcastic putdown of incels and the manosphere, with Steps at his snarkiest and Hertz unleashing a caustic solo. Final cut “Kids of the Lane” is a rousing, catchy anthem like something the Dropkick Murphys do, closing out the album with a rallying call-to-arms.

With its sarcastic social observations, hook-ridden tracks, sharp playing, and little surprises that reveal themselves with subsequent listens, Tantichrist have put together a solid gem of a punk rock record.

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Brian Giffin
Brian Giffin is a metalhead, author, writer and broadcaster from the Blue Mountains in Australia. His life was changed forever after seeing a TV ad for 'The Number of the Beast' in 1982. During the 90s he wrote columns and reviews for Sydney publications On the Street, Rebel Razor, Loudmouth and Utopia Records' magazine. He was the creator and editor of the zine LOUD! which ran from 1996 until 2008, and of Loud Online that lasted from 2010 until 2023 when it unexpectedly spontaneously combusted into virtual ashes. His weekly community radio show The Annex has been going since 2003 on rbm.org.au. He enjoys heavy rock and most kinds of metal (except maybe symphonic power metal), whisk(e)y and beer.

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