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Australian music festival update

IT’S the second half of 2026 and big music festivals will once again begin to be announced over the next few months. Smaller festivals...

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Q and A: Silenoz (Dimmu Borgir)

By BRIAN GIFFIN IT’S been eight years since Norwegian grand masters Dimmu Borgir have graced their fans with a new album. Following an ill-timed announcement...

LEX LEGION: The Stars Align (2026)

By BRIAN GIFFIN AS ONE of the main musical forces behind King Diamond, guitarist and producer Andy LaRocque has been a pivotal figure in heavy...

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Check out the new track from Mastodon

IN THE wake of a year of tragedy and upheaval, Mastodon have released their first new music since their 2024 collab with Lamb of...

ALBUM REVIEWS

Album Review: The Veil – Departures

SYDNEY’S The Veil is yet another band to have weathered the storms of upheaval and inactivity to return as strongly as before. Recorded across various...

Album review – Frankenbok: The Arriba War Honkle

By BRIAN GIFFIN IT'S a tough grind for any band to survive as long as this band has, even more so an Australian underground metal...

Album review: Dimmu Borgir – Grand Serpent Rising

By DAN SOUTHALL LUSH strings introduce the awakening of Dimmu Borgir after another lengthy sleep.  Everything this band has ever been great at is here...

Album Review: At the Gates – The Ghost Of A Future Dead

By BRIAN GIFFIN WHEN Tomas Lindberg died in September last year, metal lost a unique talent. His distinctly recognisable rasp and thoughtful, insightful lyrics were...

Album review: The Amity Affliction – House of Cards

By DAN SOUTHALL THE Amity Affliction has had a pretty tough time of late. First bassist/vocalist/founder Ahren Stringer was fired - and around the same...

AUSTRALIAN ARTISTS

SYDNEY’S The Veil is yet another band to have weathered the storms of upheaval and inactivity to return as strongly as before. Recorded across various...

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