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Blacken is Back in 2027

AFTER teasing an announcement at the beginning of the month, the world's most unique and remote heavy music festival is returning in 2027. Blacken Open...

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Q and A: Dani Filth (Cradle of Filth)

By BRIAN GIFFIN DANI Filth doesn't have much to say about the controversy in which his band was embroiled last year. “We just ignored it,” he...

Q and A: Silenoz (Dimmu Borgir)

By BRIAN GIFFIN IT’S been eight years since Norwegian grand masters Dimmu Borgir have graced their fans with a new album. Following an ill-timed announcement...

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The Datsuns Gear Up For Album Number 8

NEW Zealand rock lords The Datsuns are currently barreling through an extensive run of headlining club dates and festival shows in Europe, ahead of...

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Album review: Bring Me The Horizon – Count Your Blessings Repented

By DAN SOUTHALL THE beauty of art and music is the subjective nature of it. One band that has made a career of its subjective...

Album review: DevilDriver – Strike and Kill

By DAN SOUTHALL DEVILDRIVER have been on the backburner for vocalist and mainman Dez Fafara as he resurrected his other well known band Coal Chamber...

Album review: Lex Legion – Lex Legion

By BRIAN GIFFIN IT'S A simple idea. Reunite most of the classic line-up of a classic band, add a new member, resurrect the glory. That...

Album review: Social Distortion – Born To Kill

By DAN SOUTHALL MAKING a comeback of sorts is always difficult. Between touring commitments and cancer diagnosis and treatment, this album has seen a more...

Album review: August Burns Red – Season of Surrender

By DAN SOUTHALL AUGUST Burns Red have been plugging away in the metalcore world since the early noughties, never quite reaching huge potential but never...

AUSTRALIAN ARTISTS

TO THE Grave, Sydney's most prolific purveyors of deathcore extremity, are releasing their sixth studio album in October. Further exploring their common themes of human...

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